Tag Archives: Orlando

Matt Butcher Carves Out a Following at Orlando Calling

After listening to three O.A.R. songs, I turned to my friend in boredom and said, “Hey you want to check out that Matt Butcher guy at the Art House Stage?” She quickly agreed and we headed from a large stage area with thousands of people and beer tubs to a tiny tent that could hold maybe 75 people. The Art House Stage was for up-and-coming artists. The baristas and red velvet couch created the appropriate atmosphere for the performance that was about to ensue.

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Matt Butcher and Justin Beckler took the stage in colorful western attire and immediately connected with the audience with a confident yet humble presence. Butcher asked the crowd to move in closer so he could see our beautiful faces. However, the real treat was when Butcher and Beckler began to play their soulful rock. Butcher’s voice and style reminded me of other folk like rock artists such as Band of Horses, Gavin Degraw, and the Avett Brothers. They both played guitar with the occasional mandolin thrown in for good measure. Their seven song set was a pure delight. I only know the name of one of the songs because it was a cover of “Sympathy for the Devil”. I wish I could tell you the names of the others…because they were really good! Butcher admitted that he is a poor self-promoter and decided not to play any of the new songs off of his latest album, Ghostwriter. However, I took a risk and decided to purchase Ghostwriter anyway since it was available for immediate purchase.

I highly recommend the album (available on iTunes). My favorite song on the album is called “Rome, Rain or Hail.” I turned my stereo up as the sweet melody filled my car with a playful beat and interjections of a harmonica. Take a chance on Matt Butcher. Walk away from the unoriginal, have a seat on a red velvet couch and take it all in.

Mango

Social Distortion Shares Some Nursery Rhymes at HOB

Mike Ness and Social Distortion delivered a powerful set at House of Blues in Orlando last night in front of an electric and packed House. Ness has long epitomized the consummate bad-ass rock and roll front man and he still carries that torch.

Social D is touring in support of Hard Times and Nursery Rhymes, their first studio album in the past seven years. Still they only included two songs from the latest album: “Machine Gun Blues” and “Bakersfield.” Instead of shamelessly pushing the new tunes, they reached deep into their catalog, featuring classics from the past three decades, and throwing in a few nice surprises along the way. Perfect for the fervid fans in attendance.

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The band exploded onto the stage with a powerful version of “1945” and immediately ratcheted it up a notch when they moved into crowd favorite, 1983’s “Daddy’s Little Monster,” which pushed the considerably-sized mosh pit into a fever pitch. Then it was directly into their current hit “Machine Gun Blues” and a great singalong version of “Bad Luck” before Ness finally caught his breath.

Ness was energetic and engaged the crowd all night.  His signature vocals may have been even a bit more raspy at this point in his career, but still sounded strong considering his three decades of heavy touring.

Longtime sidekick Jonny Wickershamm was back on guitar.  He and Ness traded off the lead throughout the evening while bassist Brent Harding and drummer David Hidalgo, Jr kept the hard driving rhythm guiding the set all night. The only issue all night was that the sound mix was a little muddy – especially earlier in the show.

Other setlist highlights included “Story of My Life,” “So Far Away” and another fun singalong, this time to “Six More Miles” – an old Hank Williams cover.  The band closed the core sixty minute set with “Nickels and Dimes.”

For the encore, they took the pitch up a notch and started with “Dear Lover” and “Don’t Drag Me Down” before closing it out with powerful versions of fan favorites “Prison Bound” and their fantastic cover of “Ring of Fire.”

Eighty minutes of energy and passion with a set-list clearly designed with the fans in mind; a great night with the greatest hard rocking punkabilly band ever.

Setlist

  • 1945
  • Mommy’s Little Monster
  • Machine Gun Blues
  • Bad Luck
  • So Far Away
  • King of Fools
  • Story Of My Life
  • Bakersfield
  • Sweet & Lowdown
  • Reach for the Sky
  • Six More Miles (Hank Williams cover)
  • Nickels and Dimes

Encore:

  • Dear Lover
  • Don’t Drag Me Down
  • Prison Bound
  • Ring of Fire
Chuck Ragan warmed the crowd up with an impressive set of his trademark folksy rock.  He and fiddle player Jon Gaunt and bassist Joe Ginsberg filled the forty minute set with an interesting and unique blend of contemporary rock.

Checkout our video snippets of the show on our YouTube channel: Social D in Orlando 

B-52s Land in Orlando

The B-52’s, the legendary 80’s Cosmic Rockers, touched down in Orlando for a show in the new Amway Center this weekend. WMMO, Orlando’s Classic Rock station hosted the free show. Typically these shows are hit or miss, and it’s always a dice roll as to whether you get a band playing with passion or just collecting a paycheck. Honestly I sensed a little bit of both on this night. The current edition of the touring B-52’s includes all four original living members. Front man Fred Schneider and fellow vocalist Cindy Wilson seemed to be going through the motions most of the night. On the opposite side of the specturm, guitarist Keith Strickland and timeless singer Kate Pierson were absolutely engaged and on the top of their game.

The other three touring members are all accomplished rockers and did a fine job keeping the rhythm and keys fresh throughout the evening. Stirling Campbell (Cindy Lauper, Soul Asylum) was on drums and Paul Gordon (New Radicals, Goo Goo Dolls) manned the keyboards. Former Waitresses member Tracy Wormworth was on bass.

Pierson’s vocals were spectacular throughout the night, and she still looks and moves like she did in the eighties. Truly amazing! Strickland seemed stoked from the first song, played with energy and gave a nice heart-felt close at the end of the show. Fred was noticeable, but lethargic, and his voice is showing signs of the many tours under his belt.

The show kicked off with a decent version of “Pump,” and then immediately moved to one of their classics, “Private Idaho.” Over the course of the evening they played 17 songs in their 80 minute set and played all of their classics including “Mesopotamia,” “52 Girls,” “Roam” and “Cosmic Thing.” The band was tight, and the musicianship was excellent all night.

Fred took a brief break in the middle of the set, and Kate Pierson moved front and center, and blew the crowd away on the lead for “Roam” and “52 Girls” with Wilson.  Schneider then returned with a strong version of “Party Out of Bounds.”

They closed their set with a great sing-along version of “Love Shack” that had the crowd on its feet. The band returned for an excellent two song encore that kicked off with absolutely stunning vocals from Pierson. As the band kicked into Planet Claire, which s probably my favorite B-52’s tune, Pierson sang the entire intro perfectly on pitch. True confession – I always thought that intro was a synthesizer and not vocals. Absolutely fantastic! The song was great and raised the fever pitch of the crowd for their signature closing song, “Rock Lobster,” which brought the house down.

All-in-all, I’m glad I finally got to see these guys live, but can’t help but wonder how much better they were when they were all at their peak.

The band is touring in support of their just released live album, With the Wild Crowd! (Live In Athens, GA), that features many of the songs in the setlist noted below. Check it out on i-Tunes.

Finally, a shout out to the folks at WMMO. Due to tropical storm-like deluges, the show was moved from an outdoor venue to the modern new arena at the last minute. Kudos to WMMO and the City for pulling off that feat flawlessly.

Thanks – Mike G.

Setlist
Pump
Private Idaho
Mesopotamia
Ultraviolet
Dancing Now
Give Me Back My Man
Funplex
Roam
52 Girls
Party Out of Bounds
Love in the year 3000
Cosmic Thing
Hot Corner
Whammy Kiss
Love Shack
Planet Claire
Rock Lobster

 

Collective Soul Rocks Hard Rock’s 40th Birthday Bash

I’ll admit; attending this show was a total afterthought.  I went to the Downtown Throwdown to see a few other personal favorites playing in celebration of Hard Rock Cafe’s 40th Birthday in downtown Orlando.  As I left the powerful Everclear show (read about it here) I swung by the Main Stage to check out the night’s closing band.

I was not a huge Collective Soul fan, but I was pretty damn impressed.  These guys from Atlanta are great musicians, they were having a great time and still performing at a high level. The heart and soul of this band are three original members, Ed and Dean Roland on Guitar and  Will Turpin on bass, as well as long-time lead guitarist Joel Kosche. Ed Roland handles all of the vocals and is a strong presence on stage.

The free outdoor show had a great turnout, and the long city block was packed for their 75 minute set. I missed the first few songs, as their set overlapped with Everclear’s, but still got to hear the quintet play a slew of their past #1 Rock hits, highlighted by “Gel,” “Where the River Flows,” “December,”” and “The World I Know.”

The highlight of the show was a song that I was unfamiliar with “Hollywood,” which is from the band’s 2007 album Afterwords.  The track is a great modern blend of their classic sound.  It was great, but made even better by interspersing a medly including Metallica’s “Enter Sandman,” AC/DC’s “Thunderstruck” (complete with Ed taking the lead and channeling his best Angus Young duck walk),  some more AC/DC with “Dirty Deeds,” and then back into “Hollywood.”  Fun stuff. One concert goer uploaded a fun snippet of the song to Youtube. Take a peek.

Another cool observation: instead of stepping off the stage for an encore, Rowland shared with the crowd, “we just stand over there, make you cheer for awhile and come out and play our final cuts. Let’s just stay out here and play.”  And, they did just that, rocking the streets of Orlando for an additional 15 minutes. They closed the show with an extended version of “Shine.” Kosche tore through an energetic solo, and Ed Roland led the crowd in an impressive singalong. He was the consummate front man interacting with the crowd throughout and generally having a great time.  His voice was superb, as well.

This time I saw them by chance. Next time they’re in town, I’ll be back by choice!

Cretin

A peek at “Gel” and “The World I Know”

On the Road Feature

Hey Animals – We’ve started a new feature called On The Road.  You can get there by clicking the link in the very Top left portion of the page, or by clicking here: On the Road.  Our goal is to give a quick one page city guide for our fellow Rock and Roll fans.

On the On The Road page, you’ll also find a quick link to the current tour schedule for each of our 48 featured cities.  It’s a nice feature you can leverage any time you hit the road.

We’ve put together a sample for Orlando if you’d like to check it out.  Our goal is to have this guide built as a collaborative effort between all of you and our editors.  Take a peek at the Orlando page and contact us at Rarasfarm to get the ball rolling. The templates for each city will be similar, but you can contribute even if you only have one tidbit to share.  And, we’ll keep updating them over time as we continue to get new information.

So, take a few minutes to think about your city and send your contributions it into us. We’ll give you credit as you help us improve this community!

Thanks!

Worth the Waite

Definitely, worth the wait!

I finally had a chance to check out one of my early favorites; about 30 years after I should have.  John Waite made a stop in Orlando on Sunday evening for a show at Plaza Theater Live. Waite first hit my radar as lead singer of The Baby’s late in the Seventies, then had some hits of his own in the 80’s and with Bad English in the 90’s, but for some reason, I never saw him perform live.

He got the show off to a rousing start with a version of The Baby’s “Back On My Feet Again,” in front of an appreciative yet small crowd at this fantastic venue. His distinctive voice is still perfect, and his three piece band sounded sharp.  Truthfully, I went to the show hoping he’d play every song off of Anthology (The Baby’s 1981 Greatest Hits album), throw in a couple of other hits and call it a night, but John has grown up a bit over the years, and I think it is safe to say he’s moved on since the band broke, as he noted “It’s hard to believe that The Baby’s BROKE UP over 30 years ago.”

Over the remainder of the night, Waite only played two other Baby’s tunes, but filled the 90+ minute set with a diverse group of songs that spanned his last three decades.  “If You Ever Get Lonely” from his newly released “Rough and Tumble” album was great and would be a huge hit if he were an 18 year-old American Idol finalist, instead of a classic rocker in his 4th decade of touring. Other highlights included, Bad English’s “When I see You Smile, his own hits “Missing You” and his closer “Change.”  More than a few of his songs were clearly influenced by his Nashville days, and just added to his appealing musical diversity.

Waite frequently interacted with the crowd, shared some cool anecdotes, and genuinely seemed to be having a fun time.  The highlight for me was his unexpected cover of Dylan’s (and Jimi’s) “All Along the Watchtower.” He tore it up, with a nice assist from his guitarist – some young dude from Philly, who literally joined the band a few weeks earlier.

I have to confess that I missed the line-up of band members during a trip to the rest room  Did I mention that the Plaza has Longboard on tap?

The opening act was Jackie Bristow. a beautiful Kiwi with an equally beautiful voice. She play unaccompanied acoustic guitar and was very intriguing. Her voice was unique.  Mix Australian with a hint of Nashville and you’ll have an idea.  Lots of promise, for sure.

All told, it was a really good show from start to finish, highlighting Waite’s amazing voice and deep diverse music catalog. Not a weak song in the bunch. I’m thinking that I won’t wait 30+ years to catch him again.