Tag Archives: indie rock

Some Nights are More FUN.

Nate Ruess is not Freddie Mercury, but the front man for FUN. is definitely channeling Freddie’s spirit on the band’s latest release, Some Nights. No one will confuse this band with rock icons Queen, but Ruess’s voice will certainly conjure up some nice memories of their Mercurial lead singer.

(Let’s just get this out of the way first; the band refers to themselves with a period after their name and always either all lower case or all CAPS. I’ve chosen the latter throughout this review.  So, please, no comments on my apparent crappy grammar.)

Ruess has been around the Indie music scene for ten years, previously with Format, and now back with FUN.’s second release.  Some Nights is in a word, fun. It’s a great vehicle for the talented vocal stylings of Reuss and packed with memorable addicting ditties.

Jack Antonoff and Andrew Dost round out the trio and lend their voices to create impressive harmonies throughout.  While the vocals border on spectacular, the music is fairly uninspiring. Like many of today’s Indie bands, it’s primarily synthesizers and canned drum beats. While not the greatest musicianship, it is still pretty damn fun. The music may be bubble-gum, but it’s certainly not cookie-cutter. FUN. has developed a unique sound and have carved a nice niche in today’s Alt-Rock landscape.

By now, everyone has surely heard the first single, “We Are Young (featuring Janelle Monáe).” It’s been all over TV, and for good reason; it’s a great addictive tune. It’s a good peek into what you can expect from the rest of the album, and chances are if you dig “We Are Young,” you’ll really enjoy the other tracks.

The album kicks off with a powerful Broadway-inspired introduction that beautifully highlights the vocal prowess of Reuss. It’s different, it’s innovative and it’s fun. From there, it’s generally a trip through a series of entertaining enjoyable cuts. The title track, “Carry On,” “All Alone” and “One Foot” are all in the same vein as “We Are Young.” They’ll all have you singing along and tapping your feet throughout.

“It Gets Better” reminded me a bit of Blink 182, and had a welcome edge to it.  My personal favorite is “Why Am I the One.” It’s more tender than the other tunes, and reflects on a challenging relationship and the impact on our protagonist’s life as evidenced by these lyrics: “Cause my life has become as vapid as a night out in Los Angeles.” The song ebbs and flows with hopeful desperation and is a great journey.

The album features fantastic vocals, catchy tunes and plenty of diversity. Check it out on iTunes below and enjoy the FUN.

Rock On! – Cretin

A Little Banjo Love

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Over the last two years, I’ve noticed a new trend in some popular rock music… the banjo. Long relegated to bluegrass and country music, the banjo is appearing in many indie rock band lineups these days. Whether it be a feature in one song or an album with several songs showcasing the banjo, these bands are working to make the instrument cool.

Two of my favorite bands these days, The Avett Brothers and Mumford and Sons, feature the banjo prominently in several songs. Most notably, Little Lion Man by Mumford and Sons which made the radio rounds in 2010. I had the pleasure of seeing the Avett Brothers live back in November at Orlando Calling and was struck by how well they incorporated the unassuming banjo into their music. It fit seamlessly into their sound and totally rounded it out.  The Avett Brothers album I and Love and You showcases the banjo prominently and I highly recommend it.

A little tour around the internet and I found some other great indie bands who have some banjo love going on. Modest Mouse and Sufjan Stevens to just name two more.  What’s the moral of the story… I love it when bands incorporate different instruments into their repertoire!  It keeps things interesting.  What bands that you enjoy feature interesting instruments?