Tag Archives: Foster the People

The Best Albums of 2011

When I started this, I suspected that when we look back on 2011, we wouldn’t consider this an amazing year for music.  Unlike the amazing contributions we heard both twenty and forty years ago, this year’s contributions seemed a bit  more mediocre.  Nonetheless, after digging through the candidates, it became clear there were a few future classics out there.

So, grab your favorite beverage, crank up the music and check out the RARA’s Farm Farmer’s Dozen, the Top 12 albums of 2011.  Take a look and a listen, and let us know what you think:

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Bonus Selection: The Last Royals EP (read the RARAs Farm review)
This eponymous debut from a talented band out of New York City was one of the best discoveries of 2011.  Everyone knows their wildly popular “Crystal Vases,” but the rest of the EP is just as good, and quite diverse, especially for a four song sampler.  These guys have a ton of potential; look for their first full length album, Twistification hitting the streets soon.

12. Angles, The Strokes
Returning after a five year respite, the lads from New York are back, and in great form.  All of the classic garage sound we’ve come to love from the band, as well as some more modern stuff, and an occasional retro rock flashback – the result is a long overdue strong return. The first cut “Machu Pichu” is a great example of their newer sound.

11. White Rabbit, Egypt Central (read the RARAs Farm review)
The second album from this Memphis based quartet was one of the best hard rock offerings of the year.  Kick Ass features a wide variety of polished powerful rock and has prompted well deserved airplay on stations like SiriusXM’s Octane. The title track is an excellent hard rock tune, while “Goodnight” spotlights more of the ballad side of their repertoire.

10. Move Like This, The Cars
These guys are back for the first time since the eighties.  The only original member missing is the late Benjamin Orr who passed away ten years ago.  The rest of the band sounds eerily similar to their trademark sound that made them New Wave royalty.  It’s odd that so many other bands are tapping into that 80’s vein nowadays, but these true masters couldn’t get a sniff of airplay.  Nonetheless, it’s a nice overlooked return effort.

9. Codes and Keys, Death Cab for Cutie
Benjamin Gibbard and Chris Walla took a new approach for Death Cab on this album, eschewing their previous guitar laden sound for more of a keyboard driven groove.  It’s a refreshing change and makes the album more enjoyable than their previous six.  “You Are a Tourist” and “Stay Young and Go Dancing” are prime examples of the excellent new sound.

8. Torches, Foster the People
A nice debut from the L.A. trio includes their huge breakout hit “Pumped Up Kicks.” Their sound is modern through and through and Mark Foster’s vocals truly unique.  Admittedly there are a few weak tracks on the album, but the good far outweighs the bad.  Make sure you check out “Helena Beat” and “Don’t Stop.”

7. Covering Ground, Chuck Ragan
The long-time punk rocker turned folk troubadour gifted us with this excellent collection of introspective songs early this year. His gravely voice is paired perfectly with the stripped down instruments: an acoustic guitar, a fiddle and a stand up bass.   The songs reflect on a tough life on the road and the loved ones in his life.  Grab a whiskey and give it a listen.

6. Suck It and See, The Arctic Monkeys
Album number four is the band’s best yet.  It’s a different sound for the foursome, and a welcome change.  “She’s Thunderstorms” is a great opening cut on an album packed with excellent tunes all the way through to the closer  “That’s Where You Belong.” “Piledriver Waltz and “Black Treacle” are two of the stronger offerings. Listening to the band I’m reminded of a comfortable old favorite: Echo and the Bunnymen – good stuff!

5. Eureka, Mother Mother (read the RARAs Farm review)
In our album review, we described their unique sound as a diverse collection of alt-country-dance-funkadelic-harmonic rock. It’s impossible to classify their sound as anything but original; they sound like Mother Mother, period. Their sound is all their own, and it’s great stuff. The group revolves around the infectious harmonies of brother/sister combination Ryan and molly Guldemold. The Canadians really shine on “Baby Don’t Dance,” “The Stand” and “Chasing It Down.”

4. El Camino, The Black Keys
The Akron based duo broke through last year with the hugely popular album Brothers. This one might be even better.  There’s a bit more commercial appeal to this one, and the songs will translate well into live versions on their forthcoming tour. It’s straight forward, stripped down raw rock and roll; sounds a bit like a modernized version of Bad Company, if you can imagine that.  “Lonely Boy” is one of the best songs of the year, and has plenty of competition on the rest of the album. “Money Maker” and “Hell of a Season” are two other powerful tracks.

3. Noel Gallagher’s High Flying Birds
Noel Gallagher and friends prove that there is life after Oasis for both brothers.  Liam’s Beady Eye project was decent, but Noel’s new offering is great stuff.   The talented guitarist penned all of these tunes and nails the vocals throughout. Some of the tunes will remind you of What’s The Story Morning Glory era Oasis (“Dream On” and “AKA What A Life”), which is a good thing, and all of them are well produced and written. Favorite track: “The Death of You and Me.”

2. Never Trust a Happy Song, Grouplove (read the RARAs Farm review)
A great collection of songs from this quintet who met by chance at an artists’ retreat in Crete a few summers ago. The band has put together a fantastic assortment of Alt Rock anthems.  The feel of each song is distinctive yet they weave together nicely thanks to the consistent strong vocals from Hannah Hooper and Christian Zucconi. “Chloe” is the best cut on the album, but has plenty of company including “Colours,” “Lovely Cup,” and iPod favorite “Tongue Tied.”

1. Thank You Happy Birthday, Cage the Elephant
Fantastic album that also has a cool back story: The band basically had an album in the can ready to release when they realized no one was really passionate about what they recorded. They started over leveraging songs that the band members were planning to use for their own side projects.  The result is a tremendous passion-filled trip from the opening notes of “Always Something” through all dozen tunes.  “Around My Head,”  “Aberdeen” and “Shake Me Down are already classics for the quintet from Kentucky. It’s only their second album, but these guys are key linchpins for the future of American Rock and Roll.

There you go, twelve great albums that will define 2011 music for years to come.   Let us know what you think; what did we leave out? what doesn’t belong? And, if you want to take a trip down memory lane, check out how these discs compare with some classics: The Best of 1971 and The Best of 1991.

Rock On – Cretin