Katie Herzig is evolving. With her latest release, The Waking Sleep, she has reinvented herself, building on her prior successes, while pushing herself in an entirely new direction. The result is a fantastically produced album, courtesy of Cason Cooley, packed with fresh, catchy tunes.
A few years ago she had proven herself as a reputable folk rock talent, well-known for her heart felt acoustic performances. Then she took an unexpected new route, when she had the opportunity to pen and perform a handful of songs for both the big and small screen (i.e. Grey’s Anatomy, Sex and the City).
Subsequent to that experience, she started experimenting with tape loops, sampling and digital recording. The result is a new sound for the Nashville-based singer-songwriter, a sound that is more energetic and diverse, a sound that is unique. Where else can you find beautiful cello mixed with techno drum beats? Cool stuff for sure. At times I think of Metric, other times Enya, but most frequently it is her own distinctive sound.
The album kicks off with “Free My Mind,” a melodic, rich song that will leave you singing and bopping along joyfully. It’s an excellent cut and one of several on the album cut from the same cloth, along with “Way To the Future” and the unforgettably addictive “Best Day of Your Life.”
Herzig demonstrates her immense versatility throughout the album, On “Make a Noise” she reflects on current world affairs and the need to speak out, while deftly channeling derivative sounds of Enya. “Midnight Serenade” is similar musically but focuses on a challenging relationship while beautifully spotlighting Herzig’s soulful voice.
“Oh My Darlin” is a bit more stripped down compared to the rest of the album but the perfect showcase for her captivating vocals as she reminisces about early love. It’s also my favorite cut on a superb album.
Check it out below and prepare for a nice selection of creative tunes on an album you won’t soon get tired of.
You can’t go more than a few minutes on any Alternative rock station without hearing the latest folk rock band and their twist on Indie-Americana. So much of today’s music blends together, post-Mumford and Sons malaise, but the latest release from River City Extension, Don’t Let The Sun Go Down on Your Anger truly stands out. I’m guessing it never reaches the heights of Sigh No More, but it should, as it’s better and deeper.
The second release from this talented octet out of New Jersey is a musical and lyrical journey well worth a listen or two (or twelve). It’s an album packed with original sounds and with each listen a different track stands out.
Joe Michelini, the band’s singer and guitarist is the primary songwriter and he takes us through a varied collection of memories. He offers: “Half of this record is love songs, and the other half is ‘I’m sorry that I fucked up’ songs,” and he writes about both in a compelling way.
The album kicks off with Glastonbury,” a beautiful song that ebbs and flows magnificently as it builds up from a stripped down start to the full eight piece ensemble, then ultimately winds down with just Michelini on guitar and vocals. It’s a microcosm of the album and a good preview for what’s in store for the next sixty minutes. Michelini’s vocals are damn near perfect, and showcase his broad range, both on the opener and throughout. On “If You Need Me Back in Brooklyn” we hear a nice boy/girl duet with Sam Tacon, but for most of the album it’s all Michelini expertly carrying the vocals.
The musicians accompanying Michelini are quite talented, and the diversity of instruments offered is musical bliss. With superb production, we hear all eight musicians blend together perfectly, nicely highlighting each of the various instruments without overloading our senses. Mike Costaney on drums and percussion offers an amazingly creative approach which is an absolute highlight of the album. Jenn Fantaccione’s cello is a refreshing change. The cello is an under-utilized instrument in the rock world, but as River City Extension proves, there’s a definite place for it. It was refreshing to hear, and one of the features that sets this band apart. You’ll also hear mandolin, trumpet, banjo, piano, melaphone and so much more – a feast for the ears.
There are a few cuts on the album that absolutely scream out for airplay. Hopefully, we’ll be hearing tracks like “Welcome to Pittsburgh,” “Down, Down, Down” and “Point of Surrender” gracing the airwaves at some point in the future.
My two personal favorites highlight the diversity of the band, “Ballad of Oregon” is a fantastic introspective tune that spotlights all of the band members as it travels through Michelini’s troubled search for love; and “Lord I Have Changed” which is a stark introspective peek into Michelini’s past with him accompanied solely by Costantey’s drums, an interesting conclusion to an excellent album.
Don’t let this excellent new album pass you by, pick it up and give it a few spins. You’ll be happy to have found this Alt-Americana gem.