Tag Archives: Album Review

Mother Mother – Eureka

Eureka! Yup, I’m a little late, but I finally got my hands on Eureka, the third album from Mother Mother, a talented and under-appreciated quintet from Vancouver, British Columbia. Definitely worth the wait for this diverse collection of alt-country-dance-funkadelic-harmonic rock. It’s impossible to classify their sound as anything but original; they sound like Mother Mother, period.  And, that’s just fine for open-minded rock and roll animals like myself.

The album is pretty damn entertaining and definitely worth a few listems. I strongly recommend giving it a few spins (and “yes” it is available on vinyl), as these ditties grow on you.

Eureka is produced by Ryan Guldemold, the band’s principal writer, lead guitarist and male vocalist. Mother Mother also features the vocals of Ryan’s sister Molly and Jasmin Parkin and their three part harmonies are found throughout. Those smooth harmonies coupled with their quirky distinctive music deliver a handful of unique infectious tunes.

The first four tracks are all excellent. “Chasing It Down” kicks off the album. The song is a roller coaster ride of mixed tempos, and features a hook from Ryan’s distinctive falsetto that will bounce in your head for days.  The harmonies from the ladies and 70’s influenced organ riffs are unique and entertaining.  It is followed by “The Stand” the first single released by the band, which features a humorous Boy vs. Girl call-and-answer vocal performance from all three singers. The song is not great, but the lyrics are, as evidenced by Ryan explaining his vices; “There’s women on bikes or just women who straddle.”

“Baby Don’t Dance” is my favorite track off of the album. I reflexively cranked up the volume to this tune, and it became an instant favorite and is just a total blast to listen to. Fantastic vocals, great keys, cool bass and guitar. Simply described, it’s just a great party song, possibly one of my Top 10 for the year. You may find yourself reminiscing about classic B-52 dance tunes. “Original Sin” gets off to a mediocre musical start, but the vocals as usual are superb, with all three vocalists playing key roles.  It’s another one that you’ll find yourself singing along with.

Those first four tunes are all very strong.  Afterwards, some of the songs seem a bit over-produced, but do a good job highlighting the band’s intricate harmonies and clear musical talent, including bassist Jeremy Page and Ali Siadat on drums.

“Simply Simple” is a beautiful song with amazing lyrics from Ryan, clearly showcasing the high end of his great range.  Again the harmonies are dead on.  They remind me of the beautiful harmonies from the 90’s talented yet under-the-radar Voice of the Beehive. “Simply Simple” is immediately followed by “Problems,” which again accentuates the band’s incredible diversity.  This ditty hearkens back to the more rockabilly sound from their earlier recordings.  The guitar is great, Jeremy Page’s bass is superbly hypnotic, and it’s just a blast to listen to. “Oleander” is a big song that again features great vocals, and nice keys.

The remainder of the songs are enjoyable, if not unremarkable.  I feel as though the band was trying to highlight their musicianship, harmonies and diversity. Personally, I’d prefer a few more like “Baby Don’t Dance!”

Check out the album linked below from iTunes, where you can get the entire thing, plus a few bonus tracks for an excellent price of $7.99.

 

 

The Last Royals EP Review

I recently had a chance to check out The Last Royals self-titled debut EP on Ooh La La Records, and find myself anxious to hear some more. The 5 song EP includes four original tunes penned by Eric James, one half of this New York City based duo. James had previously released these songs as part of his Early Hours solo project. The other member is drummer Mason Ingram, and since he has paired up with James, they’ve taken a new cut at these tunes.

The EP kicks off with “Backseat Lovers” probably the most raw song on the EP. It’s a song that is incredibly easy to listen to, and each time I hear it, I find something else to enjoy. The piano and keyboards lend a unique sound that is pervasive throughout, and it’s just a fun song to listen to despite the edgy lyrics.

I had previously heard the next track, “Crystal Vases” on Sirius XM’s Alt Nation; a quirky upbeat song oozing urban angst. The song was a hit on AltNation, and has been a constant in their Alt18 count-down for weeks, and for good reason. It’s a catchy song that gets better every time I listen to it. It reminds me of old Smiths’ records where you were driven to skip along happily despite the gloomy lyrics. It’s a great story, backed with fantastic lyrics, wrapped in a song you won’t be able to get enough of.

“Always To Belong” is the closest thing to a ballad on this EP and is another one that grows on me with every listen. The guitar and piano is subdued, highlighting James’ superb vocals. I’m not positive that I understand the message in the lyrics, but I wouldn’t be surprised hearing it on a soundtrack as we watch two friends on the screen coming to the realization that they’ll never fit in.

“Come Take My Hand” is another cut that is just easy to listen to. I wouldn’t be surprised to see this one included on the forthcoming album, tweaked a bit and released as a single. The chorus is addictive, and again the vocals are excellent.

The EP closes with the “Crayon Remix” of “Backstreet Lovers.” It’s a more stripped down version of the song, and although less likely to be a hit, I like the feel of this version more than the original.

That’s it. Four plus songs; just 20 minutes of a sample, but clearly a nice debut that’s left me anxious to hear more. They evoke memories of Cake, Luna, MGMT, Foster the People and a slew of other Alternative rock bands, but it wouldn’t be fair to pigeonhole them as sounding like any of them. Their style stands on it’s own; it’s The Last Royals’ sound, and I’m thinking it’s going to be around for awhile.

Track Listing:
1. Backseat Lovers
2. Crystal Vases
3. Always, To Belong
4. Come Take My Hand (Demo)
5. Backseat Lovers (Crayon Remix)

Read our interview with The Last Royals’ Eric James

If you’re interested in hearing more of their music, including three interesting covers, check out their website at:

The Last Royals

Ooh La La Records