Stephen Kellogg Blunderstone Rookery

Stephen Kellogg Releases one of 2013’s Best


Stephen Kellogg – Blunderstone Rookery Album Review

Similar to the Dickens’ character who Blunderstone Rookery was named in honor of, we experience the album as poignant autobiographical vignettes of Kellogg’s life.  The collection of songs is as creative as it is supremely enjoyable. It’s a rambling tour through Kellogg’s memories and a great listen.

He’s spent most of the past decade fronting the critically acclaimed Stephen Kellogg and The Sixers.  When the band announced they’d be taking a hiatus in late 2012, Kellogg was provided the opportunity to once again create something all his own. The result is a fantastically diverse album that is destined for year-end “Best Of” lists.

Blunderstone Rookery is the boyhood home of Kellogg’s favorite Charles Dickens character, David Copperfield, and appears to be a metaphor for the shaky foundation he has recently experienced in his life with the loss of his grandmother and mother-in-law, as well as the aforementioned break from his longtime band.  It’s a great backdrop for songwriting, and Kellogg capitalizes, without portraying his protagonist as too desperate or depressed, but rather hopeful and positive.

Stephen Kellogg Blunderstone Rookery
Stephen Kellogg Blunderstone Rookery

The breadth of the album is nicely spotlighted in the differences of the first three tracks, all quite different, yet quite strong in their own right.  The introspective “Lost and Found” is a comfortable acoustic track, backed up by the bluesy romp “The Brain Is A Beautiful Thing,” which is one of many tracks with deep contemplative lyrics.  The third track is “Forgive You, Forgive Me,” a bouncy country-rock groove reminiscent of the Traveling Wilburys. Kellogg’s vocals are excellent throughout, whether the song is a powerful rocker or tender ballad.

The remainder of the album follows the same recipe; yup, the one where Grandma just grabbed a handful of this and a little bit of that, casually threw it together and delivered a fantastic memorable meal.

Other highlights include the touching ballad about a rocker’s life on the road “I Don’t Want to Die On the Road,” a song just as poignant as Jackson Browne’s “Load Out” – the stuff that is destined to stand the test of time.  “Good Ol’ Days” is probably the most hit worthy song of the bunch and is 4:02 of good ol’ honky tonk rock, nicely accented with sax and impeccably mixed.  It’s just one of many examples of the superb album production of Kellogg and and his longtime collaborator Kit Karlson (of the Sixers). The effort is exceptional with various instruments purposefully meandering in and out of the tunes at the precisely perfect time.

The penultimate track, “Thanksgiving,” is a masterpiece. It’s ten minutes that flies by; an epic ode to nostalgia; a musical journey that offers deep personal reflections, observations and desires.  It ebbs and flows through sadness, bitterness and hope.  Perhaps, something to finally supplant Alice’s Restaurant” as a Thanksgiving radio staple.  It’s a fantastic track (that should have closed the album) that will appeal to any music fan.

“Blunderstone Rookery” is not perfect, but it’s pretty damn good. Make sure you pick it up June 18th.

RARA’s Ranking: 9 out of 10

Rock On!
Cretin


2 thoughts on “Stephen Kellogg Releases one of 2013’s Best”

  1. “Blunderstone Rookery” is a well-conceived straight forward Rock and Roll album. The songs are mostly mid-tempo and reflect a songwriter that obviously has a great record collection. This is an album you can just sit back and enjoy, but Kellogg doesn’t let the listener off that easy. The lyrics have to be dealt with. Kellogg doesn’t preach, nor does he try to hide behind obscure imagery. In the midst of catchy hooks and compelling melodies he inserts lyrics that deliver meaning. Kellogg uses these lyrics to share his interpretations, yet he doesn’t feel the need to have all of the answers. “Thanksgiving” is a perfect example. It starts out with a long Choral intro then transitions into what he refers to as a “Cavalcade of memories”, which in turn provide a meteor shower of observations. It is hard for a parent to listen to the song and ignore the line “It takes minutes to make us a baby and years to remember what that was about”. “Forgive you, Forgive me”, is reminiscent of Tom Petty both in musical style and in the use of straightforward lyrics. The Country influenced “Crosses” uses the imagery of roadside memorials, “I wish that I could save you from the wreckage of your last goodbye”.

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